The Visual Archive Project of the Global Imaginary

2007 to present

The Visual Archive of the Global Imaginary.

A living museum of a shared planetary consciousness, curated by Tommaso Durante.

Three dimensions · Ideological · Political · Cultural

Enter the archive

2007 to present

The Visual Archive Project
of the Global Imaginary.

A living museum of a shared planetary consciousness. A high fidelity visual archive across three dimensions, curated by Tommaso Durante.

Enter the archive

A note from the curator

For two decades I have photographed how, in everyday life, at the local and the global scale, the symbolic and social imaginary is constructed. This archive is the visible trace of that question.

About

Tommaso Durante, a sociologist with a camera.

Portrait of Tommaso Durante

Tommaso Durante is a teacher, a researcher, and a professional, award winning visual artist. He moved from Italy to Australia in 2001 under a visa for distinguished talent for art.

Dr Tommaso Durante describes himself as a visual activist. He is a Lecturer in Media and Communications in the School of Culture and Communication, Faculty of Arts, at the University of Melbourne. He has taught Media and Communication at the University of Melbourne from 2019 to the present, Global Studies at RMIT University in Melbourne from 2014 to 2018, and International Relations online at the Centre for Global Politics at Freie Universitat Berlin, Germany, from 2017 to 2019.

As a Visiting Scholar, he has taught Methodologies in Researching Globalization at the Global and European Studies Institute, GESI, at Leipzig University, Germany, where in 2017 he was awarded the Erasmus Mundus Global Studies scholarship.

For the last decade, he has taught, researched, and written at the intersection of the aesthetics of the global imaginary, visual culture, and the philosophy of technology. He is the curator of The Visual Archive Project of the Global Imaginary, 2007 to present, and of Global Visual Politics, 2017 to present.

From the neoliberal to the algorithmic global imaginary — a long-form essay on the project's theoretical framework.

The archive

Three dimensions of the global imaginary.

The archive is read across three intersecting registers. Each is a way of looking, not a category to be filled. Together they map the contours of a planetary visual condition.

Selected images

From the field.

One world, many tongues

Berlin, Germany · 2014

One world, many tongues

The flag dissolves

Athens, Greece · 2012

The flag dissolves

The crowd as image

Istanbul, Turkey · 2013

The crowd as image

Power, written in paint

Cairo, Egypt · 2013

Power, written in paint

Logo, translated

Tokyo, Japan · 2016

Logo, translated

Meme on a wall

Lisbon, Portugal · 2018

Meme on a wall

Research

Selected writings.

Featured, 2026

Global Iconology

A critical visual method for the age of algorithmic ideology.

Read essay →
Case Study #1, 2016

World on Sale / Deal of the Day

Reading a Melbourne bus-stop advertisement through global iconology.

Read case study →
Case Study #2, 2026

The Global Reach of AI?

AI as universal container, and the standardisation of the local.

Read case study →

Bibliography

A partial bibliography of articles, chapters, and books connected to the archive and to the broader inquiry into the global imaginary.

Full publications on ORCiD
  1. 2022

    The Visual Archive Project of the Global Imaginary, a decade of practice

    Journal of Visual Culture

  2. 2018

    Iconographies of the global, towards a sociology of the visual

    Globalizations

  3. 2014

    The Global Imaginary, image, ideology, and everyday life

    Routledge

  4. 2011

    Reading the Wall, visual texts of a shared planetary condition

    Cultural Politics

Contribute

Send an image to the archive.

An open invitation

Researchers, photographers, and readers are invited to propose images. Send your photograph along with location, year, and a short note on why it belongs to the global imaginary. Submissions are reviewed by the curator.

What we look for

Images of public space where the global meets the local, in any of the three dimensions of the archive.

After submission

Each proposal is read by the curator and, if accepted, credited to the photographer in the public archive.

How to submit

  1. 01Attach a high resolution image, JPG or PNG.
  2. 02Include city, country, and year.
  3. 03Add two or three sentences of context.
  4. 04Confirm authorship and consent to display.
Email a submission

Contact

Write to the curator.

tommaso.durante@gmail.com

Based in

Melbourne, Australia

Affiliation

School of Culture and Communication, University of Melbourne

Elsewhere

LinkedIn